Not to Disappear, Daughter:

album review, music



Not to Disappear is the second full length release from UK based indie-electronic & folk trio Daughter, exploring loneliness and the fragility of human connection. Unlike debut If You Leave, the sombre lyrics of Not to Disappear feels like the unforced product of  organic writing processes, they are not overanalysed to convey ‘seriousness’ of the band, they just are. And what they are is an unnerving, ethereal and melodic journey that speaks to the desolation and the emotional depths of broken relationships – physically or metaphysically. The album is filled with painful yearning, unsubsidised by a ravenous anger and rage in the face of diminishing human connection. Front-woman, Elena, once again offers the powerful and sensuous vocals that we’ve come to associate with band, but in not to disappear we ascertain a certain aggressiveness lacking in prior offerings. This aggressiveness, according to Elena, was linked to her transition into self acceptance and expression, the result of free-thinking, unhampered by over-analysis.

Not to disappear is an ode to a really shitty-in-between feeling of numbness, the time when you can’t quite get a grip on anything and youre forced to constantly feel like your inability to belong could send you spiralling down into the dark underworld of depression at any moment.  Festering relationships and the grimy underworld of modern dating are all touched on in tracks Numbers and New Ways, which take on a slowburning calamitous nature aided by perfectly timed pregnant pauses. Overall you sense that the anger and rage present throughout the whole album is largely directed at the wearisome nature of one sided relationships.

‘ I hate being with you, because you are never there ‘

This recurring notion speaks to the agony of putting every fibre of your being into a relationship only to have the other person unwilling to do the same. These sentiments are backed up by the albums post rock/light punk nature which frequently employs guitar rifts and drum solos largely reflective of those present in The National‘s  ‘Trouble will find me’. The lyrics present across the album, particularly in Alone/ With You, convey two separate narratives; one is that of despair & loneliness; the other is of understanding and acceptance. The growth of the album sees the singer take on the empowering decision of rebuilding and gravitating towards self love and acceptance. She’s discovering her identity, refusing to be defined by others.

‘I don’t want to belong/ to you or anyone’ 

Concluding song, Made of Stone, speaks to the emotionally disjointed experiences that have influenced the writers resulting person, she refuses to dismiss them and their impacts on her life. They have shaped her and she is wizened and a little more hardened because of them but she acknowledges her growth due to them.

‘ I think we are all/ built out of memories’.

TOP PICKS: ‘Alone/With You’ , ‘Fossa’ ,  ‘Doing the Right Thing’ , ‘ Numbers’.


Grimes, Art Angels:

RÜfÜs, Bloom:

album review, music



RÜFÜS’ sophmore album Bloom, is perhaps the Sydney based trio’s most chilled offering yet, conveying the newly self assured nature of the band . Similar to RÜFÜS’ debut album, Atlas, the writing process of Bloom was largely influenced by the bands location and what frontman Tyrone explains as the ;

Push and Pull.. and the inter-relationship between us and what home means to us”.

 There is a more prominent sense of darkness in Bloom reflecting the impacts of urban-life, travel and long stints away from home on the band. It is their longstanding relationship with Berlin’s dance scene that has clearly aided in this sound evolution, moving the album away from just a beach meets dancefloor anthem like prior album, Atlas.

The more ‘relaxed’ nature of Bloom see’s frontman Tyrone develop his trustworthy vocals into a fuller and more versatile sound that strengthens the album and reminds the listener that the boys are not new at this. This self assured nature is present in the slow burning build of the almost 10 minute long final banger innerbloom. The track is an almost spiritual journey of good vibes- which are of the windows down, shoulder swishing nature. The increased confidence and comfort within the trio has meant that Bloom feels like an entirely natural composition, making the album feel unforced and flowy – rather than mass produced dance-floor bangers. The cheap dancefloor ‘electronic’ tracks played far too many times by the ‘DJ’ at your local on any given night is exactly what this album isn’t, rather its a magical composition filled with smooth, slowburning almost dreamlike tunes (get your tunerags ready) that confirms the successful growth of the band. ‘I’ll take you further’  its the lyrics of Say a prayer for me and they set precedent for the album which slowly and confidently builds, engaging the listener further than ever before.

TOP PICKS; ‘Be with you’,  ‘Until the sun needs to rise’,  ‘Innerbloom’

P.S: Definitely listen to this album twice, due to slow burning nature ect.

Grimes, Art Angels:

album review, music


Grimes, ART ANGELS:★★★★

Gritty, experimental and self aware are perhaps some of the terms many already associated with Canadian artist Grimes, but never have they been more present than in her latest offering ‘Art Angels’. Her fourth full length album, Art Angels, is largely self expressive, following Grimes’ trajectory in the music industry and her growth as an artist and person within it. Boucher herself has stated that the album stems from the industries attempts to mould her art and her resulting clash against all who attempt to control Grimes’ narrative. The album is not as whimsical as Grimes’ previous production, touching more upon punk undertones to subtly suggest Boucher’s seething anger at an industry that has tried to mould female experimentation into a joint production with men. She refutes the typically typecast production of female pop, writing and producing Art Angels as an entirely solo endeavor that won’t apologise for its experimental creative vision just like male artists never have to.

‘I’m ONLY a man and I do what I CAN’   

Hooks, infectious synths and Grimes’ incorporation of piano, guitar and violin for the first time allows Art Angels to confidently and self assuredly represent an artist who is ready to face the challenges imposed by the commercial world on an artist. Art Angels is Grimes promise to never bow to the pressure of the music industry, or play into  a conventional narrative. California, a weird amalgamation of pop, country and electronics (that just works) expresses this perfectly ‘I didn’t think you’d end up treatin’ me so bad’  ‘When you get bored of me, you just put me back up on the shelf’. She’s done with all your outdated bullshit Cali and refusing to be the female flavour of the month by playing unoriginal pop bullshit. BYE FELICIA.

TOP PICKS: ‘Kill v. Maim’, ‘Belly of the Beat’, ‘Flesh without blood’







The World is a Beautiful Place and I No Longer Want to Die, HARMLESSNESS:

album review, music



My gosh did Band of Horses, Modest Mouse and Death cab have a love child??? because they’re entirely the vibes I’m getting from The World is a Beautiful Place & I’m No Longer Afraid to Die’s (TWIABP) new record Harmlessness. Drawing on angsty almost (but never entirely) emo undertones the indie punk album deals with loneliness, anxiety and depressive notions, essentially its about life. The record is not seamless in composition but its centralisation on lead vocalist David Bello allows it to maintain consistency which their previous attempts have lacked. The album gets under your skin and into your head in the way catchy tunes can’t, in a way thats real and reflective of experience. Overall it is an album that simply needs to be listened to all critical appraisals aside and enjoyed for its impact and its rawness.


album review, music


Foals, WHAT WENT DOWN: ★★★★

And they’re back! Foals doing what they do best by dropping some toe-tapping alternative rock tunes for the worlds enjoyment. Album 4 from the British boys has seen the band embrace the darker elements of rock, introducing more big guitar heavy synth to their typically poppy beats. Lead singer Yannis adds wider range to his infectious voice, building from melodic ballads to hard hitting crescendos which though perhaps more slow burning than previous indie anthems are undoubtedly more hard hitting. What went down explores the maturing of an alternative rock band moving away from high-energy indie ballads and into the darker and more aggressive world of rock and roll.

Tame Impala, CURRENTS:

album review, music

Tame Impala, CURRENTS:★★★★ 1/2

Kevi P; wordsmith, psychedelic producer & melodic genius. Tame’s second album currents is Kevin Parkers brainchild and follows an introverts attempts to enter society and his resulting loneliness and isolation from it. Currents feels like a break up album, with opening single ‘let it happen’ functioning as an ode to rejection and following sounds such as ‘eventually’ lamenting but accepting this loss. It is a psychedelic masterpiece which manages to artfully combine modern electronics with tunes reminiscent of the bygone era of the 60’s. As all good psychedelic tracks do the nearly 8 minute journey ‘let it happen’ and the luscious multi-tracked harmonies of ‘gossip’ provide an out of worldly and out of body experience.